Reflections on exile essay

This is an overlapping theme for Said.

Edward Said on Culture and Imperialism

If literature is conceptualized in terms of a national paradigm, then identity and belonging as linked to a national, distinct language can be overturned. Language is mobile; thus, its application can be both a marker of national identity, but also a vehicle for the transmission of identity through time and space. For Soueif to have written her novel in English means that she has universalized the Arabic national novel into a universal novel.

Reflections On Exile

That is, ideas are mobile; they have the power to impact different periods of time, depending on the present political situation. Essentially, the West posits an imaginary Orient by means of history and literature in order to justify and advance its individual colonial ambitions. Together, these essays illustrate the transmission of Western colonialist thought on the East, and its application.

Theories of European supremacy over the East originated from old modes of thought, such as the bible.

Reflections on Exile and Other Essays by Edward W. Said, Paperback | Barnes & Noble®

In essence, ideas from the past were brought into the present time, and were utilized to subject a nation and its people. Each of the essays and articles in this collection offers a breadth of perspective on ideas of mobility in terms of a larger framework, such as politics, history, and literature. Exile is the primary theme, and how Said understands its relation to various frameworks is illustrated in this volume.

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However, essay collections have some limitations; only a limited number of readers will have interest in all the subjects covered. Moreover, the essays share repeated themes, and the underlying political bias in several of the essays — particularly the essays which discuss Palestinian politics — may deter some readers from truly appreciating the collection. In the introductory essay, Said indicates the liberation of Palestine will appear as an ongoing theme. Perhaps to understand why Said chose to include his political beliefs throughout this work, it is crucial to return to the essays addressed above.

Above all, this collection is the portrait of an accomplished intellectual life. Whether scholars of Orientalist theory, or newcomers to Said, this collection will serve as a primer in the continuous scholarship on Western relations in the East, whether they are analyzed through a political or literary lens. Related Papers.

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Hirsch -- Amateur of the insoluble: on E. Cioran -- A standing civil war: on T. Naipaul -- Opponents, audiences, constituencies, and community -- Bursts of meaning: on John Berger and Jean Mohr -- Egyptian rites -- The future of criticism -- Reflections on exile -- Michel Foucault, -- Orientalism reconsidered -- Remembrances of things played: presence and memory in the pianist's art: on Glenn Gould -- How not to get gored: on Ernest Hemingway -- Foucault and the imagination of power -- The horizon of R. Said, the first since Harvard University Press published The World, the Text, and the Critic in , reconfirms what no one can doubt -- that Said is the most impressive, consequential, and elegant critic of our time -- and offers further evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives.

As in the title essay, the widely admired "Reflections on Exile," the fact of his own exile and the fate of the Palestinians have given both form and the force of intimacy to the questions Said has pursued.


Taken together, these essays -- from the famous to those that will surprise even Said's most assiduous followers -- afford rare insight into the formation of a critic and the development of an intellectual vocation. Said's topics are many and diverse, from the movie heroics of Tarzan to the machismo of Ernest Hemingway to the shades of difference that divide Alexandria and Cairo.

Blackmur, E. Said makes a strong and eloquent attack on what he calls "aestheticized powerlessness," a habitual stance of many in the academy.